Shade 45′s Sway spoke with Birdman over the phone today about Lil Wayne selling 964,000 copies of Tha Carter IV in the first week. They also discuss how close Drake is to finishing his Take Care album, celebrating the first week sales of Weezy‘s new album by going back to work in the studio, if he has been buying copies of C4 or not, and more! Listen to the conversation below:

Spotted at HHNM

Here’s a new track from Birdman featuring Lil Wayne called “Work“. This song is in low quality higher quality and is supposedly unreleased, but there have also been rumors of it being on Birdman‘s upcoming album, Priceless 2, which is slated for a March release, according to him in a somewhat recent tweet. Regardless of where the song will end up, we have it and you can listen and/or download it below and let us know what you think about it in the comment section. Enjoy!

Download: Birdman – Work (Feat Lil Wayne) [Updated with higher quality]

Shouts to DJ Logon

Lil Wayne is always so focused and serious about his work in the vocal booth — it’s amazing to watch, if you are ever lucky enough to be able to witness him putting the tracks together. It’s not the stern face you get — Wayne smiles and laughs, because he’s enjoying himself and he loves what he does.

“Hold on, man, hold on, man,” Wayne says to his engineer after cracking up in a Miami studio. It’s 7 a.m. and while most everyone is asleep, Wayne is in the booth composing lines as the beat plays. His goal is to rap 60 bars straight — no hook — over N.O.R.E.’s classic Swizz Beatz-produced track for “Banned From TV,” for last year’s No Ceilings mixtape. While in the booth, a line that came into his head is bold and crass and causes Weezy to chuckle.

“I’m a beast, I’m a pit bull, I get my ass kissed.” In this exclusive clip from DJ Scoob Doo’s “The Nino Brown Story, Pt. 2,” you see Wayne putting the rhymes together. Even though he has fun, he also makes sure that the rap is perfect before he leaves.

“Wayne is my favorite rapper of the new age,” Noreaga told us Monday. “Although in rap years, he’s just as old as me. But that’s my favorite rapper for the new age. For him to not only do the joint, but it appear on Mixtape Daily video … that’s an honor. My kids love Lil Wayne. Do ‘Super Thug’ next, Wayne — keep my legacy alive. … I’m trying to do Special Ed’s ‘I Got It Made’ and a few other classics over. It’s only to give respect to the people. If Wayne is a real MC like I know he is, he was doing it to show love and respect to the joint and what it meant to him. I’m speechless.”

“That dude is the epitome of workaholic,” Scoob Doo said about Wayne. “He doesn’t even sit down in the studio. He could be in the studio for nine hours and he’s not even sitting down. Everybody is nodding off, sleeping on the couch ’cause it’s a $3 million studio, and he decides not to sit down. That gives you an idea where his mental is at.”

“The Nino Brown Story, Pt. 2″ is in stores on January 22, but you can purchase it now on DJ Scoob Doo’s Web site.

Via MTV

If this happens, I think it will be an amazing record! I can already see a collabo track between these two with Lil Wayne rapping 2 verses and John Legend singing the chorus and having a little 3rd verse. These two have previously worked together on the “Ghetto Rich (Remix)” but that was a Rich Boy record and also featured Nas.

Anyone else want this to happen

Spotted via MSG

PS: Incase you missed it, here is the truth with the Omarion and Young Money Ent situation.

“To go independent is — like I said in a prior interview — it’s a funny term,” Drake told MTV News on Tuesday, addressing the deal that finds his albums being released on Wayne’s independent Young Money label (which is affiliated with Cash Money Records) and being distributed by the major Universal Republic. “Because it’s almost impossible to go fully independent. This was basically like the closest thing I could get to my own independence, to sort of continuing to be that guy to the fans that, you know, is trying to prove something — trying to prove that it can be done. So with that being said, I signed directly to Cortez Bryant and Gee Roberson, my two managers, and their company Inspire. It’s a joint venture with Young Money, so that’s the deal. I know there’s been a lot of stuff on the Internet about different entities, but that’s the people involved in the main record deal. And then it’s distributed through Universal, so it’s great, man. You know, if we can sell some records I think it could be a pretty legendary situation.”

Although Drake decided to stay with his managers (who also manage Lil Wayne), he said he loved the courting process.

“Well, the whole thing with me was, I met some great people along the way. Warner Music’s Lyor Cohen is such a special man to me, even though I am signed where I am signed at. You know, Interscope head Jimmy Iovine, same thing, a great person that taught me a lot in a very short period of time. But my loyalty lays with Wayne. For him to be able to benefit from the situation and for us to be able to brand Young Money, this is the route that I went.

“I plan to work with Wayne for the rest of my career so I think it’s a smart career move,” he added. “You know, everybody else on Young Money will hopefully work out the situations, get the right people on the album. I think it was important for me to show him that I believed in him as much as he believed in me. Because a lot of months he stuck his neck out there for me, you know with the VMAs, and then ‘Ransom,’ and all the songs that we put out. And the things he would say in interviews, he really put himself out there for me. So I think it was only just and fair to show him that I feel the same way.”

Shouts to MTV and I can’t believe how much Drake I am posting on this website now – But at least, this has something to do with Weezy